Lights, camera, action
by This email address is being protected from spam bots, you need Javascript enabled to view it on Thursday, 04 October 2007
Al-Ruwaini is optimistic on the future of the fund: "We are a public fund and anticipate being here for decades. We plan to establish the model for film funds in the Middle East and view the fund as a business venture - we want to make money. The fund will utilise the returns to fund local Emirati talent to give them grants to encourage and support them. We believe the return on the commercially viable projects will fund the grants for our local Emirati film-makers and that the success of our venture will pave the way for private investors to open up their own private funds."
Having a flourishing film industry will also lead to even more long-term investment in the region as well as further promote the cultural status that Abu Dhabi is so keen to achieve. "Of course, the expenditures for accommodation, food, equipment leases and property, transportation, wages and salaries paid to individuals in Abu Dhabi and expenditures for other goods and services as a result of motion picture production in Abu Dhabi would have direct and indirect economic benefits stimulating the economy," says Abed Awad, president of the Abu Dhabi Film Commission.
Keen to focus on the cultural aspect of film, the festival is working closely with the Abu Dhabi Film Commission, whose aim is to promote Abu Dhabi as a unique film industry destination. The commission will adopt a worldwide approach and Awad tells Arabian Business it will eventually become "a one-stop shop film production facilitator".
This commission is only the second of its kind in the Arab world following Jordan's decision to establish its Royal Jordan Commission in 2003, a country which most filmgoers in the West and Eastern world believe has a thriving and successful film community.
Through the Film Commission, Awad also wants to promote an understanding of the Arab world: "I see film transforming our culture and becoming the genre of choice for change and innovation. It will also represent what is great about our culture to the world.
"The dehumanisation of the Arab originated in film and through the next great innovation generation of Arab film-makers they will change the perception of Arab through film. Film is nothing more than storytelling and we have a tradition of literature that is second to none. We will break the code of the film industry and get a seat on the global culture machine's executive table." As well as the commission, investment from the local community is imperative in order for a film industry to thrive.
Adrienne Briggs, the circle's director, confirms to Arabian Business that the event is almost up to full capacity with parties wanting to understand the world of film and finance. On the importance of local investors Al-Ruwaini says, "We cannot expect Western financiers to build our local industry. Foreign investors have one thing in mind - making money. If they make money they will come to Abu Dhabi. Otherwise, why should they come? We want to attract Hollywood investors and film-makers to come here by providing them with incentives and at the same time start to stimulate our indigenous talent and finance to invest in the infrastructure necessary to build a local industry."
But while investors in the region can see tried and tested results from more traditional industries such as real estate, the film industry is a new concept in this region and anyone wanting to invest in it is expected to be cautious. "I have never found financing from my films here ever - not a single dollar has come from this market, the GCC or Asia," says Dhruv Dhawan, a Dubai-based documentary and commercial film director.
"People here are safe investors and even when they do take risks they take it in things that are sort of known to them. In Hollywood your next-door neighbour may invest in two films a year and so does everyone else but in this region it has never been done before. If someone does get the financing from here and then investors see there is money to be made in films it will really take off but not until then," he continues.
1910: Director D. W. Griffith shoots Hollywood's first ever movie, In Old California. His movie company stays for several months and makes a number of films before returning to New York.
1913: Hollywood's first ever movie studio, Nestor Studios, opens.
1914 The first feature film, The Squaw Man, directed by Cecil B DeMille is made in Hollywood. The First World War intervenes for the next four years.
1947: The first commercial television station west of the Mississippi River, KTLA, begins operating in Hollywood. In December of that year, the first Hollywood movie production is made for TV, The Public Prosecutor.
1950: Music recording studios and offices began move into Hollywood.
1952: CBS builds CBS Television City. CBS's expansion into the Fairfax District pushes the unofficial boundary of Hollywood further south than it had been.
1956: The famous Capitol Records building just north of Hollywood Boulevard is built.
1958: The Hollywood Walk of Fame is created with the first star placed in 1960 as a tribute to artists working in the entertainment industry.
1985: The Hollywood Boulevard Commercial and Entertainment District is officially listed in the National Register of Historic Places, protecting important buildings and ensuring that the significance of Hollywood's past will always be a part of its future.
2001: The Kodak Theatre opens in Hollywood Boulevard at Highland Avenue, now the new home of the Oscars.
Present day: While motion picture production still occurs within the Hollywood district, most major studios are actually located elsewhere in Los Angeles, and Paramount Studios is the only major studio still located within Hollywood.
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