Posted inTravel & Hospitality

Let me entertain you

In-flight entertainment is becoming an increasingly important selling tool for Middle East airlines battling to secure passenger loyalty.

Until recently, long-haul economy flights were considered a painful and drawn-out affair. Passengers had little choice but to either sleep or track their flight’s journey on a barely visible screen several rows in front.

But the days when travellers had nothing to keep themselves busy are long gone. Indeed, the emergence of in-flight entertainment (IFE) during the past 10 years has given passengers access to the latest movies, TV shows and music channels. Airlines competing for customer loyalty by offering frequent flights, direct routes and cheaper tickets are also using IFE to get passengers on board. For example, Emirates has invested heavily in the latest in-flight entertainment to steal a march on its rivals.

The investment appears to be paying off, with Emirates recently securing the best IFE provider accolade at the World Airline Awards for the third year running. “The reason we won the award is because we have invested very heavily in upgrading our IFE in the last few years, underscoring our commitment to product excellence and innovation in IFE,” says Patrick Brannelly, Emirates’ vice president of passenger communications and visual services.

He adds that while other airlines were focusing on IFE in the business and upper class cabins, Emirates was the first airline to install TVs in all economy seats. Other carriers have since followed suit, with Brannelly attributing the sector’s rapid development to general growth across the entertainment industry.

“Television, cinema and audio absolutely consume huge parts of our lives,” he says. “The meaning of entertainment is to occupy passengers through entertainment when they are sitting on an aircraft, largely unable to go anywhere.”

Unlike Emirates, some airlines in the Middle East consider IFE a financial drain that contributes little to the bottom line. But Brannelly insists having the latest entertainment systems is often the deciding factor for potential customers. “You have to take a leap of faith; you have to create the experience that has all round appeal such as frequency, punctuality, great food, great crew and cleanliness,” he says. “All these things have to be in place and entertainment is one of them.”

Brannelly also believes passengers’ expectations of onboard entertainment has increased in recent years. “It’s the idea of having the immense choice, which is extremely important and people have high standards. I think the expectations are rising and that’s a great thing. It keeps us on our toes, makes our job more fun, and some of the things we will have in the future will meet those expectations continually.”

In 2003, Emirates carried out major product upgrades after investing in the Audio Visual on Demand (AVOD) system, which enables passengers to watch movies and TV programmes as they please. The airline then developed the Information Communication Entertainment (ICE) platform, an IFE system that utilises the latest technology. “We don’t rest on our laurels,” Brannelly says. “We know that we have to continually improve and innovate. When we launched ICE in 2003, we were in fact already working on the next generation system.”

Indeed, Emirates has since introduced the latest ICE Digital Widescreen system, which has the world’s largest widescreen TVs for any airline. It also has an advanced TV remote control and colour display.

Like Brannelly, Qatar Airways’ commercial general manager Ali Al Rais believes investing in IFE is becoming increasingly important. “IFE definitely comes on a high rank, especially with the regular travellers,” he says. “Passengers expect to be entertained and they are very aware of what airlines are offering.”

According to Al Rais, the Abu Dhabi-based carrier’s relatively young fleet allows for regular IFE upgrades. “It’s easier to add new technology while you are ordering your planes,” he says. “Technology is improving overall and so we look at other areas of entertainment and see if it fits in with passenger liking and if it can be translated into onboard entertainment.”

Last year, Qatar Airways installed onboard satellite systems in individual seatback TVs for flights across the Middle East, Europe, Asia and South Africa. As the launch customer for the Rockwell Collins Tailwind 560 system, the carrier was also the first to provide passengers with live TV across multiple regions.

Emad Morcos from Showtime Arabia, the exclusive content partner for Rockwell Collins and programmes provider for Qatar Airways’ live TV broadcasts, is another advocate of IFE. “Entertainment has always been and will always be about the latest experience on offer,” he says. “Rockwell Collins recognises our expertise in TV entertainment, content aggregation and the region.”

As a digital satellite pay-TV network for the Middle East and North Africa, Showtime Arabia is well placed to assess the needs of viewers flying to and from the region. It has arranged TV schedules for Qatar Airways’ viewers and is set to carry out similar work for other carriers that use the Rockwell system.

“The rate of development of IFE is directly proportional to the quest by businesses, including airlines, to provide consumers with that compelling brand experience,” Morcos says. “Increased competition, minimal price differentiation and the number of hours consumers are now spending in the air makes a service like IFE a differentiating factor that airlines can capitalise on.”

Allan Pellegrini, vice president and general manager for IFE technology supplier Thales Inflight systems, agrees with Marcos. “Airlines are using IFE to help differentiate them from other carriers, and consumer and wireless technology is pushing IFE innovation,” he says. “The industry has recovered and demand for IFE is consistent and strong. What we see in the Middle East is growing competition between carriers each wanting to have excellent IFE.”
Thales supplies TopSeries Inflight entertainment systems to Middle East carriers, including Saudi Arabian Airlines, Royal Jordanian Airlines, and Abu Dhabi’s Etihad Airways. Its management believes that while demand for AVOD is high, passengers are no longer satisfied with just good movies and high quality audio. “We realise that what makes passengers comfortable are three things: firstly, the people they interact with onboard, secondly, the environment in which they sit for hours, and thirdly, the in-flight entertainment,” says Pellegrini.

According to Pellegrini, an IFE system has to be intuitive to both the flight crew and passengers. It should also interface with other systems and support an airline’s revenue generation.

“Moving up, passengers are looking for other interactive things to do,” he says. “[For example] interactive map applications that allow the passenger to know more about the areas he/she is flying over, and onboard CHAT which allows seat-to-seat messaging between passengers.”

Airlines and IFE system developers are now focusing on connectivity, with passengers wanting technology that supports electronic devices, such as laptops and Ipods. Many are also keen to have in-flight internet connectivity and email.

To that end, Emirates has been developing a wider and more innovative range of facilities for its IFE. These include enabling passengers to play personal audio files stored on USB sticks, which transfer music between laptops and MP3 players. The airline already has a My Playlist function that allows passengers to create music compilations from some 10,000 tracks. But the USB feature provides even more choice by enabling passengers to access their own music. “We have also launched My USB where people can plug in their USB or camera and look at holiday pictures on the way home,” Brannelly says.

Emirates is also planning to introduce a system that allows passengers to use their own mobile phones while on board. No timescale has been set, but the airline says it will continue looking for new ways to enhance its IFE.

For many airlines operating in the Middle East, adopting the latest IFE technology is key to attracting potential passengers. Lysette Gauna from Virgin Atlantic, which provides flights to Dubai, says the carrier’s management sees great value in new IFE developments.

“The investment and development in IFE systems in the Middle East has been phenomenal,” adds Virgin Atlantic’s head of brand. “I believe they [Middle East airlines] are playing catch up and have seen that there is a passenger demand for excellent onboard media.”

According to Gauna, passengers are benefiting from Virgin’s effort to keep up with the latest entertainment trends. “Fortunately for Virgin, we have always been ahead of that curve, predicting the need for control and choice as well as the convergence of traditional video with digital media,” she says.

“Our philosophy has always been to reflect the media trends on the ground, to use technology intelligently to provide the greatest choice possible and to act as curators to help viewers navigate through the hundreds of hours of content.”

Gauna also believes airlines that embrace the latest IFE technology will secure customer loyalty. “Clearly there are times when the latest technology allows you to deliver [what passengers want], but like the telephone, which remains an amazing innovation, it’s still conversation that matters most,” she adds.

The World Airline Awards for IFE

Based on passenger surveys of mainly economy class travellers, the annual World Airline Awards is considered the primary benchmarking tool for passenger satisfaction levels. The survey, which is independently commissioned and conducted by Skytrax Research of London, assesses airlines’ performance related to several onboard services, including in-flight entertainment. During the past three years, Emirates’ ICE onboard entertainment system has won the award for Best Airline In-flight Entertainment, just pipping upcoming IFE leader Singapore Airlines Krisworld in 2007. Virgin Atlantic was also in the top five of the best IFE. Some 14,836,129 respondents comprising 90 different nationalities from across the globe took part in the survey – a 1.2 million increase compared with the 2006 result. Airlines were judged on the following attributes:

• Best total quality of in-flight entertainment

• Best selection of movies

• Best selection of short/magazine video programmes

• Best selection of audio programming

• Best selection of games and other interactive options

• Reliability of AVOD programming

• Ease of usage for AVOD programme systems

• Quality of headset/sound quality

Courtesy of Skytrax Research of London – www.airlinequality.com

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